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Stana katic ungeschminkt Ray Park. Wolverine - Weg des Kriegers They come into contact love island nackt both Magneto's Brotherhood and Xavier's school and nobly opt for the. Sie kämpfen für den Schutz einer Welt, die sie fürchtet. His attitude is positive and his goal benign.
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And I won't even talk about the ending. It actually surprised me. But go see for yourself. I've always been a fan of the X-Men, since the Animated Series aired I'd never really read any of the comics though So when I heard they were making a movie about them, I was counting the days until it was released.

Maybe that affected how I viewed the movie, but I was a bit disappointed. Director Brian Singer Usual Suspects did a good job with what he's got The whole project seems a bit "safe," though, as if the producers wanted to make sure this big production didn't flop.

It's a good movie, but not a great one. Fans of the X-Men might be especially disappointed if their favorite characters do not include either Wolverine or Rogue.

Mine personally is Cyclops, but he had a minor role. James Marsden, who played Cyclops, was a bit on the stiff side, but I forgive him because I like him as an actor.

On that note, all the actors did an excellent job, especially Patrick Stewart and Ian McKellan, as the forces of good and evil. It brought an endearing humanistic side to a story I had thought was dominated by sci-fi.

If you're an X-Men fan, I would definitely recommend this film--but you probably have already seen it!

What X-Men fan would miss out? If you're not a fan, maybe this movie can be a starting point for a new obsession Animany94 11 June After watching a lot of animated X-Men stuff, I thought that it was time to watch some live-action movies.

I'd heard rumours that the X-Men franchise was rather hit and miss. Well, this was a very solid start. Not everyone delivers a top performance, but I was so happy that my favorite characters delivered.

Hugh Jackman does a relly good and charismatic job as the tough Wolverine coming from a place he doesn't even know himself.

Their relationship is a highlight here. Magneto gets a lot of star power from the magnificent Ian McKellen and a well done take on his harsh past which leads him onto his dark path in life conflicting with his old friend Xavier who are also given a nice portrayal by Patrick Stuart.

The otherwise talented Halle Berry wasn't as convincing as Storm, I must admit. The booming persona I knew was shifted to a quite monotonous one, and her powers weren't to show before nearing the climax.

James Marsden was a good choice as Cyclops, but was kind of the same case as Storm without real punch to the performance.

But despite a few small bumps on the road, I enjoyed X-Men more than I had expected, because the story was actually really engaging when the focus was on the right elements like Wolverine and Rogue and how Magneto fulfills his plan.

It's not the usual superhero movie where action and special effects are the main focus, but more like a psychological drama with some hero elements.

That makes it stand out among the crowd. But even though the special effects weren't the main focus they were awesome, hands down! It may be a movie from the year , but back then the effects weren't used as much as they are today, so when they were good they really rocked the screen.

I would recommend X-Men to people who like a well balanced movie with a well told story spiced up with the right amount of action and special effects.

Tibetan Buddhist teacher Robert Thurman writes in Inner Revolution: "In karmic evolution, the successful actions that lead to positive evolutionary mutations such as a human life are those of generosity, morality, tolerance, enterprise, concentration, and intelligence.

Their opposites - stinginess, injustice, anger, laziness, distraction, and ignorance - are unsuccessful actions, which lead to negative evolutionary mutations that take you down the chain through animal incarnations.

The message is clear: evolution can go toward the good or the bad, and there will always be a battle between the two possibilities. X-Men, with stories revolving around the activities of a group of mutant superheroes, has been a phenomenally successful franchise for Marvel Comics.

The movie exposes the battle going on for America's soul. In doing so, it goes right to the heart of the country's shadow - our continuing inability to deal with those who are different from us, either by race, ethnic heritage, sexual preference, or generation.

The story taps into the reservoir of feelings we have about diversity, tolerance, and exclusivity. And, let's admit it, all of us, at one time or another, have felt like a mutant outsider different from the "norms" of society and cut off from the "in" crowd.

Senator Robert Kelly Bruce Davison has a cause. There are mutants living in American communities, and nobody knows how and where they might use their strange and strong powers.

He wants to protect human citizens by passing legislation to require them to register with the government. Indeed, even mutants with the best intentions can't always control their impact on others.

When Rogue Anna Paquin , a Mississippi teenager kisses her boyfriend for the first time, he ends up in a coma for three weeks.

She can absorb the energy and memories of anyone she touches. Fleeing to Alaska, Rogue meets Wolverine Hugh Jackman , another mutant who has amazing healing powers, which come in handy when his retractable adamantium claws inadvertently inflict damage.

These two "freaks" as the locals call them eventually team up and find their way to Professor Charles Xavier Patrick Stewart , the world's most potent telepath who has started a school for "gifted students" - a.

His key assistants are Jean Grey Famke Janssen who has telekinetic and telepathic skills, Cyclops James Marsden whose eyes release energy blasts, and Storm Halle Berry who can manipulate weather disturbances.

Not only must these X-Men fight the forces of bigotry and repression afoot in America, they must square off against Magneto Ian McKellen , a mutant who has survived the Holocaust and now believes that a war with the humans is inevitable.

He concocts a plan to turn the world's leaders into mutants at a special U. The X-Men come to the rescue and must contend with his evil team consisting of Sabretooth Tyler Mane , a beast-like warrior; Mystique Rebecca Romijn-Stamos , a metamorph; and Toad Ray Park , a high-jumping monster with a ten-foot tongue.

Thanks to its thematic riches, X-Men is far more interesting than the Batman superhero flicks. In the last scene of the film, they play a game of chess in a prison holding Magneto.

We all know that the mutant villain has not made his last move. KeremUlucay 18 June X-Men is first superhero team movie in history.

Also it is Marvel's first movie with a high budget. Movie is amazing about storytelling, especially in first one hour.

I really liked the world they created. But then it becomes a bit meaningless and complicated. CGI's are good for Actors and actresses are awesome with their roles, every one of them.

This film have some surprising scenes, especially with Mistique. Bryan Singer made a good job at all.

RJC-4 16 July Was "The Usual Suspects" a fluke? Bryan Singer turns in a decidedly B-movie job directing this flat, predictable comics adaptation.

It's almost too faithful to its original medium, with 2-d performances from all the principals except for Hugh Jackman as the grouchy Wolverine, he displays the closest thing to personality among these cardboard cut-outs.

Patrick Stewart is lifeless. And the X-Men themselves look like the cast of "Dawson's Creek" in drag. This film has endless problems.

The action sequences, and in particular the climactic battle in and on the Statue of Liberty, look terribly staged: just as on the comics page, the characters halt to strike dramatic poses, or dotingly brandish their "super powers" one of them, hilariously, even utters at one point: "Storm, use your power!

It simply doesn't work any more than if Singer had put speech bubbles above the characters' heads.

Compare these silly little fights to the superb sequences in Jet Li's "Black Mask," , a film shot for a fraction of this one's budget but obviously with much greater talent and vision.

For a comic with a rich graphical past, the movie's art direction delivers a strangely bland, sterile look, both for Professor X's school and for the Liberty set.

Both look low-budget, but neither is quite as bad as the villain's secret seaside hideout, which Singer shot in such darkness that nary a detail can be seen.

Oddly, "X-Men" looks like two different movies. The first 15 minutes are lavishly designed and shot, from the opening flashback of Jews herded into a concentration camp to the discovery of a Wolverine slumming in a moody northern logging camp.

Then, abruptly, the flair is gone, and for the remaining 90 minutes we get a film that looks like one of the Star Trek TV franchise vehicles.

Except for Storm's look: it's pure Penthouse Magazine, ca. The villains are half-comically done, but even that is a blunder by Singer -- we don't really get any comic relief from them, and we can hardly worry too much about the X-men if they're beset by the likes of a villain called Toad, and even less when they remind us of the far wittier and better-looking send-up of all this nonsense, last year's "Mystery Men.

That stuff is just tacked on to what is really an exercise in big fights and big boobs -- the old Marvel formula.

Fights and boobs aren't bad in their own right, but they're done much better elsewhere without the pretensions to social justice.

How is this a good movie? Maybe if you were into the comic books, a movie of it would seem like a cool thing, and then you just don't want to admit that the movie is pretty bad.

It was not an engaging story at all after they left Poland in the beginning. You kept expecting something that would to grab your attention, but it never came.

The ending was pretty lame, and it seemed like the last 3rd of the movie was just setting up for the sequel. I never really understood what the story was.

I was expecting much better things. Too bad for Bryan Singer after doing two very good movies or at least one very good, then one not-quite-as-good.

Special-effects and terrific 5. And what highlights they are - tremendous in both categories, at least for when this film and DVD came out.

At the time, they were the best special-effects I had ever seen, but strides are being made so fast in that category that every few years we movie fans are stunned at something new we see.

Audio-wise, the rear speakers come into to play as well as any movie I've heard. As for story, once the beginning plugs for evolution and political correctness are over with, it is a simple good guys-trying-to-get-the-bad guys fare.

It's pure escapist fun made so with tons of sci-fi effects. The characters aren't particularly involving, either the "good guys" or the "bad guys.

For me and most males, Rebecca Romjin-Stamos was a treat for the eyes. Her outfit was something to behold. If profanity bothers you, the film was treat in that department, too, as there was very little.

Obviously, this film was popular enough to spawn not only a sequel but more in the making. It is a great challenge to make the first episode of a superhero series, why?

You have the pressure of making it believable, entertaining, dramatic, exciting, you know what Bryan Singer, hands down, he is a great director, x-men is a hit, and without the action sequences you would expect from a movie of this kind, he keeps your full attention, but not for long enough.

The minutes fly by and suddenly you will find yourself hoping for something exciting to happen, and it will, but by that the movie has reached almost its conclusion.

Good thing that there is a sequel, that it works very good thanks to this first act, not a bad thing, right??? The usual tedious superhero blockbuster for humorless, fun-hating fanboys J.

Spurlin 7 December Fanboys have no sense of fun. It's partly their influence that makes these superhero tales increasingly self-important and witless.

If you flip through comic books today, you'll find they tackle issues such as drug addiction, street crime, racial bigotry and homosexuality, all while muscle-bound louts in circus costumes are flying around and shooting laser beams out of their fists.

And no one fights crime any more; they just wrestle with their own demons. I recently scanned a comic book where an old Superman and a young Superman were throwing trucks and boulders at each other as they screamed pop-psych jargon about their grievances in what seemed like an apocalyptic episode of "Dr.

Once we're in the present or the "near-future" , we see the U. Senate debating on whether mutants like Magneto should be exposed and listed on a public register.

It's like the yellow stars and number-tattoos Jews were forced to wear in Nazi Germany. Get it? I don't. How is a fear of Jews parallel to a fear of people who can walk through walls, shoot fire out of their eyes or control the weather with their minds?

In this movie the earnest idealists are against the mutant registry and the snooty hypocrites are in favor of it. Frankly I'm with the snooty hypocrites.

What would we do if there were real super-powered mutants among us? Start your free trial now. Browse Amazon Prime!

Watch All of Start your free trial now. More Like X-Men. X-Men: The Last Stand. Also directed by Bryan Singer. Bohemian Rhapsody.

X-Men: Days of Future Past. Also starring Hugh Jackman. Real Steel. Also starring Patrick Stewart. Bambi II. Denni, Barker F. Mehmet, Wall Z.

Posting Komentar. The concept of the X-Men strays far from superhero conventions. The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene.

Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York.

His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants.

When "X-Men" debuted in it was easily the best comic-to-film adaption since "Superman" and "Superman II" It was the precursor to all the great superhero films that came out in the s and has only lost some of its allure due to the quality of many of those films.

The movie runs 1 hour, 44 minutes with several interesting deleted scenes available. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today.

The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source material respectfully and seriously.

It's legacy may be greater than the actual movie, but X-Men is x-cellent! Diposting oleh Muhdin Noor di Fans of the X-Men might be especially disappointed if their favorite characters do not include either Wolverine or Rogue.

Mine personally is Cyclops, but he had a minor role. James Marsden, who played Cyclops, was a bit on the stiff side, but I forgive him because I like him as an actor.

On that note, all the actors did an excellent job, especially Patrick Stewart and Ian McKellan, as the forces of good and evil.

It brought an endearing humanistic side to a story I had thought was dominated by sci-fi. If you're an X-Men fan, I would definitely recommend this film--but you probably have already seen it!

What X-Men fan would miss out? If you're not a fan, maybe this movie can be a starting point for a new obsession Animany94 11 June After watching a lot of animated X-Men stuff, I thought that it was time to watch some live-action movies.

I'd heard rumours that the X-Men franchise was rather hit and miss. Well, this was a very solid start. Not everyone delivers a top performance, but I was so happy that my favorite characters delivered.

Hugh Jackman does a relly good and charismatic job as the tough Wolverine coming from a place he doesn't even know himself.

Their relationship is a highlight here. Magneto gets a lot of star power from the magnificent Ian McKellen and a well done take on his harsh past which leads him onto his dark path in life conflicting with his old friend Xavier who are also given a nice portrayal by Patrick Stuart.

The otherwise talented Halle Berry wasn't as convincing as Storm, I must admit. The booming persona I knew was shifted to a quite monotonous one, and her powers weren't to show before nearing the climax.

James Marsden was a good choice as Cyclops, but was kind of the same case as Storm without real punch to the performance.

But despite a few small bumps on the road, I enjoyed X-Men more than I had expected, because the story was actually really engaging when the focus was on the right elements like Wolverine and Rogue and how Magneto fulfills his plan.

It's not the usual superhero movie where action and special effects are the main focus, but more like a psychological drama with some hero elements.

That makes it stand out among the crowd. But even though the special effects weren't the main focus they were awesome, hands down! It may be a movie from the year , but back then the effects weren't used as much as they are today, so when they were good they really rocked the screen.

I would recommend X-Men to people who like a well balanced movie with a well told story spiced up with the right amount of action and special effects.

Tibetan Buddhist teacher Robert Thurman writes in Inner Revolution: "In karmic evolution, the successful actions that lead to positive evolutionary mutations such as a human life are those of generosity, morality, tolerance, enterprise, concentration, and intelligence.

Their opposites - stinginess, injustice, anger, laziness, distraction, and ignorance - are unsuccessful actions, which lead to negative evolutionary mutations that take you down the chain through animal incarnations.

The message is clear: evolution can go toward the good or the bad, and there will always be a battle between the two possibilities.

X-Men, with stories revolving around the activities of a group of mutant superheroes, has been a phenomenally successful franchise for Marvel Comics.

The movie exposes the battle going on for America's soul. In doing so, it goes right to the heart of the country's shadow - our continuing inability to deal with those who are different from us, either by race, ethnic heritage, sexual preference, or generation.

The story taps into the reservoir of feelings we have about diversity, tolerance, and exclusivity. And, let's admit it, all of us, at one time or another, have felt like a mutant outsider different from the "norms" of society and cut off from the "in" crowd.

Senator Robert Kelly Bruce Davison has a cause. There are mutants living in American communities, and nobody knows how and where they might use their strange and strong powers.

He wants to protect human citizens by passing legislation to require them to register with the government. Indeed, even mutants with the best intentions can't always control their impact on others.

When Rogue Anna Paquin , a Mississippi teenager kisses her boyfriend for the first time, he ends up in a coma for three weeks.

She can absorb the energy and memories of anyone she touches. Fleeing to Alaska, Rogue meets Wolverine Hugh Jackman , another mutant who has amazing healing powers, which come in handy when his retractable adamantium claws inadvertently inflict damage.

These two "freaks" as the locals call them eventually team up and find their way to Professor Charles Xavier Patrick Stewart , the world's most potent telepath who has started a school for "gifted students" - a.

His key assistants are Jean Grey Famke Janssen who has telekinetic and telepathic skills, Cyclops James Marsden whose eyes release energy blasts, and Storm Halle Berry who can manipulate weather disturbances.

Not only must these X-Men fight the forces of bigotry and repression afoot in America, they must square off against Magneto Ian McKellen , a mutant who has survived the Holocaust and now believes that a war with the humans is inevitable.

He concocts a plan to turn the world's leaders into mutants at a special U. The X-Men come to the rescue and must contend with his evil team consisting of Sabretooth Tyler Mane , a beast-like warrior; Mystique Rebecca Romijn-Stamos , a metamorph; and Toad Ray Park , a high-jumping monster with a ten-foot tongue.

Thanks to its thematic riches, X-Men is far more interesting than the Batman superhero flicks. In the last scene of the film, they play a game of chess in a prison holding Magneto.

We all know that the mutant villain has not made his last move. KeremUlucay 18 June X-Men is first superhero team movie in history.

Also it is Marvel's first movie with a high budget. Movie is amazing about storytelling, especially in first one hour. I really liked the world they created.

But then it becomes a bit meaningless and complicated. CGI's are good for Actors and actresses are awesome with their roles, every one of them.

This film have some surprising scenes, especially with Mistique. Bryan Singer made a good job at all.

RJC-4 16 July Was "The Usual Suspects" a fluke? Bryan Singer turns in a decidedly B-movie job directing this flat, predictable comics adaptation.

It's almost too faithful to its original medium, with 2-d performances from all the principals except for Hugh Jackman as the grouchy Wolverine, he displays the closest thing to personality among these cardboard cut-outs.

Patrick Stewart is lifeless. And the X-Men themselves look like the cast of "Dawson's Creek" in drag. This film has endless problems.

The action sequences, and in particular the climactic battle in and on the Statue of Liberty, look terribly staged: just as on the comics page, the characters halt to strike dramatic poses, or dotingly brandish their "super powers" one of them, hilariously, even utters at one point: "Storm, use your power!

It simply doesn't work any more than if Singer had put speech bubbles above the characters' heads. Compare these silly little fights to the superb sequences in Jet Li's "Black Mask," , a film shot for a fraction of this one's budget but obviously with much greater talent and vision.

For a comic with a rich graphical past, the movie's art direction delivers a strangely bland, sterile look, both for Professor X's school and for the Liberty set.

Both look low-budget, but neither is quite as bad as the villain's secret seaside hideout, which Singer shot in such darkness that nary a detail can be seen.

Oddly, "X-Men" looks like two different movies. The first 15 minutes are lavishly designed and shot, from the opening flashback of Jews herded into a concentration camp to the discovery of a Wolverine slumming in a moody northern logging camp.

Then, abruptly, the flair is gone, and for the remaining 90 minutes we get a film that looks like one of the Star Trek TV franchise vehicles.

Except for Storm's look: it's pure Penthouse Magazine, ca. The villains are half-comically done, but even that is a blunder by Singer -- we don't really get any comic relief from them, and we can hardly worry too much about the X-men if they're beset by the likes of a villain called Toad, and even less when they remind us of the far wittier and better-looking send-up of all this nonsense, last year's "Mystery Men.

That stuff is just tacked on to what is really an exercise in big fights and big boobs -- the old Marvel formula. Fights and boobs aren't bad in their own right, but they're done much better elsewhere without the pretensions to social justice.

How is this a good movie? Maybe if you were into the comic books, a movie of it would seem like a cool thing, and then you just don't want to admit that the movie is pretty bad.

It was not an engaging story at all after they left Poland in the beginning. You kept expecting something that would to grab your attention, but it never came.

The ending was pretty lame, and it seemed like the last 3rd of the movie was just setting up for the sequel.

I never really understood what the story was. I was expecting much better things. Too bad for Bryan Singer after doing two very good movies or at least one very good, then one not-quite-as-good.

Special-effects and terrific 5. And what highlights they are - tremendous in both categories, at least for when this film and DVD came out.

At the time, they were the best special-effects I had ever seen, but strides are being made so fast in that category that every few years we movie fans are stunned at something new we see.

Audio-wise, the rear speakers come into to play as well as any movie I've heard. As for story, once the beginning plugs for evolution and political correctness are over with, it is a simple good guys-trying-to-get-the-bad guys fare.

It's pure escapist fun made so with tons of sci-fi effects. The characters aren't particularly involving, either the "good guys" or the "bad guys.

For me and most males, Rebecca Romjin-Stamos was a treat for the eyes. Her outfit was something to behold.

If profanity bothers you, the film was treat in that department, too, as there was very little. Obviously, this film was popular enough to spawn not only a sequel but more in the making.

It is a great challenge to make the first episode of a superhero series, why? You have the pressure of making it believable, entertaining, dramatic, exciting, you know what Bryan Singer, hands down, he is a great director, x-men is a hit, and without the action sequences you would expect from a movie of this kind, he keeps your full attention, but not for long enough.

The minutes fly by and suddenly you will find yourself hoping for something exciting to happen, and it will, but by that the movie has reached almost its conclusion.

Good thing that there is a sequel, that it works very good thanks to this first act, not a bad thing, right???

The usual tedious superhero blockbuster for humorless, fun-hating fanboys J. Spurlin 7 December Fanboys have no sense of fun.

It's partly their influence that makes these superhero tales increasingly self-important and witless.

If you flip through comic books today, you'll find they tackle issues such as drug addiction, street crime, racial bigotry and homosexuality, all while muscle-bound louts in circus costumes are flying around and shooting laser beams out of their fists.

And no one fights crime any more; they just wrestle with their own demons. I recently scanned a comic book where an old Superman and a young Superman were throwing trucks and boulders at each other as they screamed pop-psych jargon about their grievances in what seemed like an apocalyptic episode of "Dr.

Once we're in the present or the "near-future" , we see the U. Senate debating on whether mutants like Magneto should be exposed and listed on a public register.

It's like the yellow stars and number-tattoos Jews were forced to wear in Nazi Germany. Get it? I don't. How is a fear of Jews parallel to a fear of people who can walk through walls, shoot fire out of their eyes or control the weather with their minds?

In this movie the earnest idealists are against the mutant registry and the snooty hypocrites are in favor of it.

Frankly I'm with the snooty hypocrites. What would we do if there were real super-powered mutants among us? Thanks to the fanboys' thirst for "realism" even in comic book adventures, the issues of Wolverine and his ilk are made to seem like urgent social problems.

Fanboys have no sense of humor either. A sense of humor is not the ability to laugh at everything, but knowing when something is funny and when it isn't.

Fanboys have nerd-humor. Nerd-humor comes from the desire to condescend to the very thing that one takes deeply seriously. It comes out in this movie when Logan later to be Wolverine mocks silly superhero names like Cyclops and Storm.

It's the movie congratulating itself for being aware of its own absurdities; and once it acknowledges them, it can dismiss them and take itself all the more seriously.

This is in contrast to the s TV show "Batman," which really was a spoof. But a fanboy doesn't get it, not even if you tell him the joke.

The X-Men regroup and attack, this time stopping Magneto and his machine. Logan saves Rogue's life by giving her his healing power.

Xavier meets up with Magneto later and they make it clear to one another that their fight is not over. Watch X-Men "Evolution Begins".

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More Like X-Men. X-Men: The Last Stand.

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